Sunday, August 26, 2007

Mathad Mathadu Mallige - Good Commerical cum artistic attempt

Mathad Mathadu Mallige

Nagathihalli Chandrashekar(NHC)'s latest movie Mathad Mathadu Mallige has been in the news since its launch firstly due to the starcast and then then due to the issues addressed in the movie. And truly all the hype involved with the movie - the cast and the issues dont dissappint you. NHC after addressing issues like Indians settling in America (America America) and then with a different kind of love story between a husband and wife (Amrutha Dhare), here he touches upon globalisation and environmental issues which are the present day concerns of the world today. And he with his vast knowledge about the issues has done good justice to the movie. He has rightly expressed his view about globalisation and its impact on Indian villages and that too with a commercial touch.

The story is set in a small village wherein Hoovaiah (Dr. Vishnuvardhan) is a floriculturist living respectfully with his family consisting of his wife (Suhasini Manirathnam) and three daughters. The villagers are lured by a US multinational company to sell off their lands and vacate the village since it wants to start diamond mining there. Politicians are lured with money and the MNC gets the license to start mining in the village. But Hoovaiah is not interested to sell his land which he has loved so dearly as his family. He with some of the villagers protest against this and decide to confront the government and the "local" politicians (Rangayana Raghu, C R Simha etc.,) The rest of the story is a saga of his emotional relationship with the soil, his family and the villagers and how he with his ideals of Gandhism and faith in the present system succeeds in getting the license stayed.

The story looks simple and might also sound like a good material for a masala movie. But NHC has dealt the subject with much care and hasnt meddled with the actual story line by adding unnecessary commercial stuff. Two songs seemed out of scope of the narration and I felt he could have done without those but that would have removed the little commercial touch. But what scores here is NHC as a story teller who has succeeded in making a movie on a subject like this and yet not boring the audience. He has extracted the best out of every actor who plays even the smallest character in the movie.

Coming to the details of the movie, NHC seem to have poured out his anguish about the present politics and politicians throughout the movie with the dialouges. References like a sleepy person who can become the prime minister or politicians making remarks like despite sleeping and eating in houses of farmers we didnt get the votes etc., surely draws parallels with the present day politics. The relationship of Hoovaiah with his wife and the three daughters are sketched out clearly without dragging much. He brings about memories of Bandhana in which Vishnuvardhan and Suhasini had acted almost 2 decades ago in a song Banna Bannada Hoove. Hoovaiah and his wife love their first two daughters very much as compared to the third one who isnt much learned and works in the flower gardens. Dialogues wherein Hoovaiah tells his third daughter if she was well educated and had studied well she could have been saved by humiliation touch a lot. Also the third daughter's love for her parents has been picturized well.

She also proves that just being educated like her sisters doesnt mean everything but education with a purpose and other knowledge also is important. Hoovaiah's wife always complains of his generousness towards villagers and still loves him for what he is. Thus NHC weaves the complete family story as subplots. The scenes wherein the first two daughters elope with their lovers disappointing their parents and Hoovaiah approving their marriage desparately are very touching. The scene wherein the third daughter succumbs to extremist thoughts and the events which force her to make her realize that she is wrong are presented well.

The main plot of the movie - Hoovaiah's cruasde against globalization and environmental issues has been dealt very well. NHC's personal experience in such movements and his contacts with the leaders in such issues has added to the authenticity in his narration. First scene where Hoovaiah decides to go against the government order infront of the DC where he is all alone and helpless but later joined by his villagers is captivating. Secondly the scene where a TV reporter comes to his house claiming he has given him coverage and publicity and Hoovaiah pouring out his anger is good. Next scene is where Hoovaiah's wife asks him to attend the high level meeting with the MNC officials quoting his love for his village and villagers. The scene of Hooviah's confrontation with the MNC officials and politicians where he presents facts and figures about people affected by so called "globalization" is the best one in the movie. Hoovaiah's interaction with the extremist leader (Sudeep) and their conversation is a treat to watch. NHC thus completes linking the whole circle of politics, politicians, local greedy villagers, extremist ideologies and extremist leaders with the lone crusader against these through non-violence. Sudeep's introduction as an extremist leader brings about the present day issue of Naxalites who claim to fight the system through violence. Clash of ideologies - Gandhism and non-violence against extremism is clearly brought about and nothing is shown to be great or less. Hoovaiah wishes Sudeep good luck in his crusade and Sudeep watches Hoovaiah succeed in his crusade through his Gandhian idealogies. Some people might have the view that at the end Hoovaiah's act doesnt convince Sudeep to give up violence. But NHC has struck to his narration though he hasnt openly supported extremist activities. No need for that I believe since people with both kind of thoughts co-exist here in today's world. Such a normal end where the extremist gives up his thoughts would have been anticipated by the masses I believe. Introduction of Sudeep as an extremist leader at a point where Hoovaiah loses his wife might bring some thoughts of Hoovaiah too turning towards that.... but thanks to NHC for not having made it that way... It would have been too commercial I feel.

Coming to the performances, Dr. Vishnuvardhan has given a very good and controlled performance. He is so different as compared to the innumerable remake roles he had done previously. He again proves his acting prowess with his dialogue delivery and expressions. Suhasini Maniratnam is a treat to watch. Everytime she appears on the screen she gives a soothing appeal. What an actress!! Wish we could see more of her.... Great to watch Vishnuvardhan and Suhasini on-screen. Rangayana Raghu impresses as the local leader who lures farmers to sell their land to the MNCs. Sudeep has given a very good performance with his bit role and he impresses with his dialogues. Other veterans like Tara, Doddanna, Sihikahi Candru, Mandya Ramesh are good in their roles. NHC himself as Hoovaiah's friend and lawyer is just there!!! :-D

Music by ManoMurthy is good. Banna Bannada, Nammane Aramane and Jhana Jhana are well picturized. Technically its a good movie with good camerawork by Krishna Kumar. Good editing by Basavaraj Urs has helped to keep up the pace of the movie.( Though the Baaro Nanna Shahrukh song was quite unnecesary ). NHC could have brought out the eloping of the two daughters with their lovers in a better way. It looked somewhat too silly and dramatic. The costume designers for Dr. Vishnu could have worked better to make his turbans look more authentic for the location and the plot.

Overall it is a good attempt by NHC something different from his previous movie. Thanks NHC sir for giving us a thought provoking and socially relevent movie!!! And all the best!!!

Wednesday, August 15, 2007

Milana - Audio

Milana

Audio Released by Anand Audio

Music: Manomurthy

The album kicks off well with Sonu Nigam rendering "Ninnindale". Great lyrics and good music make this song a hummable number.

"Anthu Inthu" sung by Udit Narayan and Chitra is a duet with not impressive lyrics. Strange pronounciation by Udit despite he having sung many Kannada songs.

"Male Nintu Hoda Mele" by Sonu Nigam and Shreya Ghoshal is a nice slow song about expressing love. Good lyrics and rendition by Shreya and Sonu.

"Kivi Maatu" by Kunal Ganjawala has good lyrics about getting ahead in life. The slow music with good usage of instruments makes it a good number to listen.

"Ninnindale" (Remix) - same song with pacy music.

"Madarangiyali" by Rajesh and Shreya Ghoshal is a nice song about marriage and preparations for marriage. Nice to hear Rajesh! (Wish he is given more chance here.......)

"Male Nintu Hoda Mele" again but in solo version by Shreya Ghoshal.

"Kaddu Kaddu" by Suresh Peters, Chaitra and Stephen is penned by V Nagendra Prasad is a dance number. Chaitra impresses with her rendition as usual. Different music by Manomurthy as compared to his other recent works.

Monday, July 23, 2007

Saavu Dhyeyakilla

Saavu Dhyeyakilla (No death for Goals) @ HN Kalakshetra 21st July 2007

Staged by : Darpana
Script, Screenplay, Lyrics, Dialogues and Direction by : K Sri (K Srinivas)
Lights : Jagadeesh
Make-Up : Ramakrishna Kannarpadi/Vijay Kumar
Costume Designer : N.MangaLa
Sets and Properties: Vasu/Abhijith/Manjunath

Sounds like an inspiring title right?? Yes it is!! Its a tale of patriotism and goals.. goals which dont have death! But not of the present times wherein people are forgetting what true patriotism means and are turning towards fanaticism in the viel of patriotism! Its a tale of burning desire of one man to free his motherland first from the clutches of a foreign invader and then to cleanse or remove autocracy. And how he achieves this with his great tact and knowledge of politics and statecraft forms the crux of the story. Yes its about Chanakya (famously known by this name, Vishnugupta or Kautilya as he has been referred to in history) who has given us "Arthashastra".

Arthashastra is "a book of political realism, a book analysing how the political world does work and not very often stating how it ought to work, a book that frequently discloses to a king what calculating and sometimes brutal measures he must carry out to preserve the state and the common good." Centrally, Arthaśāstra argues for an autocracy managing an efficient and solid economy. It discusses the ethics of economics and the duties and obligations of a king. The scope of Arthaśāstra is, however, far wider than statecraft, and it offers an outline of the entire legal and bureaucratic framework for administering a kingdom, with a wealth of descriptive cultural detail on topics such as mineralogy, mining and metals, agriculture, animal husbandry and medicine. The Arthaśāstra also focuses on issues of welfare (for instance, redistribution of wealth during a famine) and the collective ethics that hold a society together. - Wikipedia
This story is about the life and growth of Vishnugupta from a normal teacher in Takshashila to a powerful and tactful prime minister of Chandragupta Maurya. Vishnugupta faces immense humiliation from Dhanananda, the ruler of Nanda dynasty when he approaches him with pleads about safegaurding the nation from the invader from Greece, Alexander. Vishnugupta takes an oath that he would not to tie his long hair(shikhe) until he overthrows Dhanananda from the throne. In the process of searching like minded people who are passionate about protecting the country against invasion, he chances upon the young Chandragupta who impresses Vishnugupta/Chanakya with his leadership qualities. Chanakya decides to mentor him and vows to make him the emperor of India. He also gets some more people as aides to Chandragupta like Simharana, Alakanandindi, etc., With his tactful thoughts, wit and usage of all the political tactics like using spies, bribery he manages to break the unity amongst the Nandas and overthrows Dhanananda thus completing his oath! Chandragupta Maurya is made the king of Magadha. He then wants to make Amatya Rakshasha who is the most trusted and ablest minister of Nanda Kingdom as one amongst the ministers of Chandragupta Maurya. To get this thing done, he again hatches a plot against Amatya Rakshasha in acquiring his ring and using it to prove that he is not loyal to the Nandas. This incident is famously known as Mudra-Rakshasa in literature. Finally Chanakya manages to bring Amatya Rakshasha under Chandragupta Maurya and leaves Magadha for Takshashila.

This complex story of politics, deceit, plots, visha-kanyas, statesmanship and changing loyalties which lead to a stable and strong empire has been enacted by Darpana troupe. And they have done their best in doing justice to this long and hard to enact tale. Scripted by K Srinivas the drama has got its own defining moments where Chanakya swears on Dhanananda to overthrow him, the plot to kill Bhadrasena, defeating Dhanananda, and finally the Mudra-Rakshasha story are where the actors have excelled. K Sree(as K Sreenivas is known popularly) has given some modern touch to the play with usage of modern Kannada language at places. Also in the war sequences, the usage of Kalaripayattu (Kerala's traditional martial art form) gives the viewer a visual treat. Costumes by N Mangala are truly imaginative yet realistic enough to give a feel of the ancient Magadha. The story told from the point of view of the rivers of Magadha Kingdom - Ganga, Sindhu and Jheelum, where the three rivers are personified and act as sutradhaaras for the play is really innovative. Music by Saikiran leaves a perfect impact at the right time though I felt the drums were a bit loud at times.

Coming to the actors, its Shesha Murthy who plays Chanakya who leaves a big impact with his thundering performance. Malatesh who plays Simharana is very good in his bodylanguage and narration as usual. Nirmala C who plays Alakanandini leaves a good impact. Nanjunda Murthy Rao (whom we better know as Mukta Nanjunda) has given one of his best performances as Bhadrasena. Others who leave a good impression are Rakshit Shetty who plays Chandragupta, Lokesh Gowda as Dhanananda and Santosh Shivling as Nipunaka. Totally a great team work in enacting this story! The lights and makeup are truly apt and well suited for the scenes and hence the characters.

On the flip side, at places prounounciation by some actors were not that clear. May be due to the poor acoustics of the auditorium! I personally feel the team should work on this aspect to improve the impact of the play. Knowing the vastness of the story and large number or characters and references to people and understanding the difficulty of the performers (some being amateur performers or budding artists) their effort shows off in bringing out their best.
All the best team!! Will look forward for your performance again!!


A note to the people who want to watch this play! Brush up the history about Chanakya or else you might feel lost!

Sunday, July 8, 2007

Ninade Nenapu

Ninade Nenapu

Audio Release by Sony BMG
Music Director: Mahesh Patel and Ram Sampat
Director: Madan Patel

Sony BMG enters Kannada music scene with Madan Patel's venture for his son Mayur Patel's "Ninade Nenapu".

"Yaare Sakhi Ninna Sakha" sung by Udit Narayan and Anuradha Sriram and lyrics by Aanand V. A mediocre duet. Anuradha Sriram returns with her shrill voice! Udit is good as usual.

"Ibbaniyali Mindide Preetiyali Toydide" sung by Chitra and with lyrics by Vijaya Karnataka Editor Vishweshwar Bhat is a melodious number with good lyrics.

"Heegeke Nange Nenapaaguve" sung by Kunal Ganjawala and lyrics by Kaviraj is a slow number with good music. Sounds like the title song of the movie.

"Karagi Karagi Neeraagi HOde" sung by Chaitra and Satish Aryan and lyrics by Manjunath Rao is a sensuous number with good music and great singing by Chaitra.

"Manasu Idre Maarga Anta" sung by Satish Aryan and lyrics by Nagendra Prasad is about hardships in life and how to face them. Satish has got a different voice but definitely needs a tune up.

"Dayamaadi Baa Preeti" sung by Chaitra and Nitin Shastri and lyrics by Nagendra Prasad is a dance number with fast pacy music and good rendition by both the singers.

"Ibbaniyali Mindide Preetiyali Toydide" sung by Sona is diferent to hear in the voice of Sona. Quite different from Chitra's version.

"Heegeke Nanninda Doorade nee" sung by Rajesh Krishnan and lyrics by Manjunath Rao is a typical viraha geete. Rajesh puts his heart into his rendition.

"O Nanna Geleyane Hrudaya Koogide" sung by Sona and lyrics by Manjunath Rao is about memories of lover. Sona disappoints in this song.

"Naane Kane Ninna Sakha" sung by Rajesh Krishnan and lyrics by Manjunath Rao is a short version of Yaare Sakhi Ninna sakha.

Savi Savi Nenapu

Savi Savi Nenapu

Audio Released by Jhankar
Music Director : R P Patnayak
Director : Santosh Rai Pataje
Producer: S V Babu

Prem's next movie Savi Savi Nenapu where he appears in his new avataar has got a good music by R P Patnayak.

The album kicks off with "Saviyo Saviyu" sung by Sonu Nigam and Shreya Ghoshal with lyrics by Nagatihalli Chandrashekar. The lyrics are too good and music is soft and grows slowly. Sonu and Shreya put life into the song but I feel Sonu's pronounciation could have been better".

"Haadu Haadu" sung by Prem himself with lyrics by Hridayashiva is a fast number. A youthful number. Prem doesnt impress with his singing.

"Savi Savi Nenapu" the title song rendered by R P Patnayak and Sunita is a great one with respect to the music and lyrics by Jayant Kaikini. A melodious song. Sunita is great with her fresh voice.

"Naa Nana Nanana" sung by Karthik with lyrics by Hridayashiva is a rip off from an English number. Karthik impresses with his rendition. Its all about youth, josh and love! Good mix of western beats and classical instruments.

"Kaanuva Notave" sung by new comer Apoorva Sridhar and lyrics by K Kalyan. Good to hear Apoorva. She has got a good song to start up her career. The music switches from slow to fast to slow. Good orchestration of the song. Thanks RP for giving us a new singer!! The lyrics are about departing from lover and the rememberances associated.

"Nenapu Nenapu" sung by S P Balasubramanyam and lyrics by Hridayashiva is the best number in the album. A slow song with great music.Rememberances of the girl - thats what is all the song is about. Captivating lyrics indeed. We get to know why SP is still the best!

"Sooryanu Ee Divasa" sung by Rajesh Krishnan and Sunita and lyrics by Jayant Kaikini is about the sun and the morning mood he creates. The tune reminds me of "Happy Birthday to you" tune!

Saturday, May 12, 2007

#73 Shantinivasa - Kichcha's Next movie Audio

The songs from #73 Shantinivasa are good to hear espicially for their classical content. Lyrics for all the songs is by K Kalyan. Music by Bharadwaj is different and pleasant.

Geeya Geeya Tirugu Bhoomi sung by SPB is a good one for its lyrics and the geeya geeya gaageeya geeya interludes in between.

Preetiyendare Heegeene sung by Rajesh is a slow song with a lot of classical touch expressing the effects of love.

Thayatta Thayatta sung by Rajesh and Kalyani again with classical tune and modern instruments is a nice one to hear. Its a song about love and various feelings goin on in mind when one is in love.

Aadaddella Olledaytu sung by Rajesh, L N Shastri, Master Hirannayya, Nandita, Archana Udupa and Arun Sagar. The tune is a lift from the hindi version 'Bhor Aayi Gaya Andhiyaara'.

Hrudaya Hrudaya sung by Srinivas is a pacy number. A bit boring number compared to others.

Preetiyendare Heegene sung by Bharadwaj is different to hear in this version sung by the music director himself.

Tirugu Bhoomi (remix) is a nice number to hear with the beats and extra effects.

Ondu Olle Katheya Heluve sung by Shivrajkumar and Sudeep himself is the introduction song of the movie which probably is played with the titles in the movie where the house and its occupants are introduced. Sudeep's dialogues and Shivrajkumar's voice are nice to hear.

Banda Nodu sung by Bharadwaj is a jingle telling about the works done by the servant (Sudeep).
Good album to listen!

Saturday, April 28, 2007

Soundarya - Good Effort

Soundarya - Beyond .. Beyond.. your Imagination

Felt the tag line of the movie was somewhat queer when I saw it initially. Was wondering what the movie would be about. Since it is a movie starring Ramesh I felt it would be worth watching. The lyrics and music by Hamsalekha were quite interesting and enough to pull me to the theatre.

The movie starts off with a sneak peak into the land mafia which has spread its roots into the ever growing demand of land in this City of IT and BT that is Bangalore.[There are umpteen references to the city this way in the movie that it irritated me a bit :-) ] The events depict the hold of land mafia and influential people who make their business easy by using muscle and money power. These chain of events create an impact on the viewer and makes him aware of the fact that we are living amidst such circumstances even though we feel safe and seem to enjoy our life in our own way. Despite being far from these, how a commoner can get caught in these events and suffer forms the real matter of the story.

Ramesh(Ramesh) owner of a chemical company is a happily married man lives in Bangalore with his wife Soundarya(Sakshi Shivanand) and daughter(Baby Shreya). He gets into the matter of land mafia just because of a silly reason and has to listen obscene remarks and comments about his wife from one of the mafia lords, John. He gets enraged by this and decides to kill the person, poisons the person and dumps his body in a park. But later he starts feeling guilty about this sin after he starts getting anonymous calls to confess his crime. Meanwhile the investigation of the murder of the mafia lord is handed over to Prakash (Rahul Dev), Ramesh's best friend, who comes down to Bangalore and stays with Ramesh during the case investigation and keeps him updated about the turn of events. Guilt makes a major impact on Ramesh's mind and he decides to confess his crime to Prakash and he writes a letter to him telling all about the murder. But the letter is read by Soundarya and she in her efforts to save her husband writes a letter confessing that she killed the mafia lord. What does Prakash do? Does he take Soundarya into custody or is it Ramesh who is held responsible is the later part of the story.

A very good effort by the director E Chennagangappa who himself is said to have been in the real estate business in Bangalore. He has put reality into the events depicting the land grabbing incidents by means of false document creation, extortion, murder etc., just to be in the business. But he bores us towards the end of the movie with some unnecessary sequences and a dragging song in the sequence leading to the climax.

Ramesh is brilliant in the role and does his job very decently. But he seems somewhat uncomfortable dancing to the slow songs. He again proves that he is one of the very few talented actors who can handle all kinds of emotions well. Sakshi Shivanand irritates a bit with her mannerisms which are too much at times. Rahul Dev is good in the role of the CBI officer but the dubbing artist for him plays spoil sport. The voice doesnt suit his personality. Same is the case with Sakshi Shivanand. Baby Shreya adds life to her role with her innocent looks. An interesting cameo as a spiritual leader by Avinash puts us on the edge of the seat but ends up as a damp squib when his real identity is revealed. Shivakumar as John has done a good job. Lohitashwa is wasted in a bit role.

Songs with lyrics and music by Hamsalekha are great to hear. Hrudayada Maatu is nice song sung by Kunal Ganjawala but he needs Kannada pronounciation lessons badly. Soundarya the title song is good to hear, to which Sonu Nigam lends his voice. Alli Nodu Alli Nodu is a good number but shot unnecessarily in foreign locales. Adnan Sami crooning in Sneha Preeti is a good song but wrongly placed. I question at this point - why we should go for non-Kannada singers when we have ample playback singing talent here in Kannada itself.

Overall its an interesting movie with a crooked ending(atleast for a Kannada movie) - Worth watching once for a different story line and good performance by Ramesh. What needs to be seen is how will Kannada movie goers accept this movie with an unconventional ending. The ending is a bit Hollywoodish.... that might be the reason why the tag line is "Beyond.. Beyond .. Your Imagination" :-)